NO BALLS - COME CLEAN

total mind melter from BRAINBOMBS side project NO BALLS. think the 'bombs dipped in some DNA tar and feathered with some COACHWHIPS perhaps? totally repetitive scuzzed out riffs end to end. LP is already sold out from swedish label Release The Bats, so get up on this one 'cause its fuckin' tops.

i played this for a swede that had never heard brainbombs before and he said "it sounds like San Diego". YES.

HERE

EDIT: this album has been re-released in limited quantities through Permanent. get it HERE

EPIC DUMP

new photo/whatevs blog by yours truly & JEANS WILDER

EPIC DUMP

GHOST RAMP

The Ghostramp Story - RIP from Olle Källén on Vimeo.

here's to wishing i could skate right now with a foot or more of snow on the ground...

limp dick appologies

lack of updates lately. i'm in the process of moving to malmö, sweden, so things will be fairly slow around here 'till i'm well settled in my new home in a kind of new land. thanks for reading and keep them peeled for big things in two thousand ten. ship ain't sinkin' yet.

ALL YOUR MONEY

WILL IT BUY YOU LOVE?

I SAY FUCK YOUR MONEY

GIVE US GOURMET PEZ

SO CRUCIAL

MECHANICAL MAN

MECHT MENSCH - ACCEPTANCE EP (BONE AIR, 1983)

totally demented and damaged early US hardcore from Madison, WI. this is the shit that needs to be between your ears. blogged all over. 'nuff said.


ACCEPT
INFO

FOR THE LOVE OF RAY...

twenty years in the game.

Ray Barbee XX Years from Proper on Vimeo.

CHUCK LIVES

in light of the recent Chuck Biscuits death hoax, here's Black Flag's '82 Demos, the only recording he played on with the band and a totally crucial listen. pre- My War sessions from when their label trouble disallowed them being able to release any proper recordings. Biscuits' drumming is so pounding and fierce, and Rollins' vocals on this recording set the tone for the last 3 years of Flag's career. precision and insanity balanced. definitely one of it not the finest moments of this band. also includes a pretty classic interview thats good for a few laughs.


HERE




....oh yeah, and this:

ANOTHER

i've been on a deep mixtape making stint. i love it. it always feels great to put together a new tape idea and get all fussed and worried about the track listing and goof up on recording a few tracks and have to do them over but finally listening to the awesome end product and, better yet, sharing it with some friends or total strangers. this one is a pretty down home mix of country, blues, hillbilly and old-timey americana. probably not going to do an upload, still working on a title for this one, but if anyone's down to trade i'd be way into a mixtape exchange. maybe even a mixtape club?

here's the track listing:

SIDE A

1. Henry Flynt- The Snake
2. Johnny Paycheck - She's All I Got
3. Beans Hambone & El Morrow - Beans
4. David Allen Coe - Willie, Waylon & Me
5. Charlie McCoy - Keep It Clean
6. Burnett & Rutherford - All Night Long Blues
7. Harry Taussig - Sugar Babe, Your Papa Cares For You
8. Bill Anderson - Movie Queen


SIDE B

1. Johnny Paycheck - Barstool Mountain
2. Abner Jay - I'm So Depressed
3. The Carter Family - Hello Stranger
4. David Allen Coe - She Used To Love Me A Lot
5. Reverend Gary Davis - How Happy I Am
6. Johnny Paycheck - Slide Off Of Your Satin Sheets
7. The Legendary Stardust Cowboy - Cactus
8. Bill Anderson - Velvet And Steel
9. The Carter Family - Bury Me Under The Weeping Willow

DEMOS

so believe it or not, there was a time before all the garbage when Metallica didn't make horrible music. before napster, before $300 orchestra seating, before Some Kind Of Monster, even before that wiry Kirk Hammet dude, there was a pretty good thrash band from LA called Metallica. crazy, right?

anyhow, i've been digging these demos and most stuff recorded during the time before Cliff's death and their fall in the 90's, so i thought i'd throw these out there. here's two demos from '82, the No Life 'Til Leather demo and Ron McGovney's Garage demo. Ron's demo is largely comprised of Diamond Head covers (awesome). Lineup for both is:

James Hetfield – vocals, guitar
Dave Mustaine – lead guitar
Ron McGovney – bass guitar
Lars Ulrich – drums, percussion


HERE

TROPICS...

another mix for all you freaks out there.



DJ MICHAEL PAUL HILARIO - THE TROPICS OF OLYMPIA
screwed reggae/rocksteady/dub/dancehall hits



cavernous sizzurp style lo-fi reggae transmissions from the Beach House, oly westside. enjoy under the influence/let me know what ya think...


HERE

MORE MISSISSIPPI...

this is definitely one of my favorite LPs Mississippi has reissued or unearthed, and its also coincidentally the most obscure of all their releases. absolutely no track listing or liner notes, just an eerie cover, assumedly copied from the original LP. and the music is another mysterious thing: titled "70's Thai Orchestra" (though theres no mention anywhere on the sleeve), the music is a psychedelic style of Thai country music called "Molam", which Sublime Frequencies also put out an excellent compilation of. swirling rhythms and strings weave hypnotic patterns with joyous shouts punctuating the mix. total tripped out sound.

here's the good ol' folks at Aquarius Records' review, which will surely do more justice than anything I can serve up:



"A while back we reviewed a cd called Siamese Temple Ball. A truly mysterious disc, with very little in the way of liner notes or any information really, but a record that we all became a little obsessed with and thus listened to it NONstop. We sold tons of copies too.
Then recently, we get a new batch of records from the always amazing Mississippi Records, and one of the records is entitled simply Mysterious Thai LP. So of course we're intrigued. We throw it on, and lo and behold, it's the very same record. Siamese Temple Ball, now on vinyl.
Not sure how this happened, if it was random, or if as we posited back in the day, that maybe Siamese Temple Ball was not actually music from Thailand, but an incredibly well played homage by some Sun City Girls-like worshippers of Eastern musical tradition. Hardly matters, the music is fantastic, wild, emotional, dense, joyous and yes, very very mysterious.
The cd version featured a sticker that proclaimed in faux pidgen English: "Flight comes to Thailand in the Year of the Rat. Siamese Temple Ball provide the lilting soundtrack for a chemical journey. Schoolgirls dance bashfully for the expectant throng. Life continues at a comparatively slow pace away from the rigours of fierce sun-light." Which was then followed by the (label's) description: "In the tradition of Sun City Girls, Ya Ho Wha 13, The Spacious Mind, Taj Mahal Travellers, Mu, Word of Life, Group 1850, and Ghost, Siamese Temple Ball give maximum pleasure for thirsty brains."
Quite a roster of comparisons, the most fitting of which is definitely the Sun City Girls. So while we assume that this record was recorded by a group of precocious, dilettante, ethnomusicologist hipsters, we like to suspend our disbelief and imagine this to be a genuine Folkways-style field recording, as the recording certainly has a genuine field recording presence - a single stereo microphone in a good location. The music itself is a catchy and mesmerizing steady pulse of various and sundry percussion instruments (metal, wood, skin), hollers, yelps, and rococo melodic lines spun out by tinny electric guitars, xylophones, flutes and Khan (mouth organ.) And besides all that, it's really pretty great!
The Mississippi lp version has all new artwork, even more mysterious than the cd, housed in a thick matte finish sleeve, with NO information at all, not even on the lp labels. We're not sure in what capacity, but it was apparently put out in conjunction with Exiled - also from Portland - another great record store. So recommended. And of course, probably WAY too limited..."



so there you have it. limited (and now out of print), mysterious and hypnotic music from "Thailand". excellent.


HERE